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《NEXEN 時間之血》平行宇宙系列—最終章|高雄市立美術館

「時間」正是我們現在活著的生命,“Time” is our current life 「血」是我們的生命於他方的存在。“Blood” is our life elsewhere 時間之血──NEXEN,Blood of Time”———NEXEN

「時間」正是我們現在活著的生命,“Time” is our current life
「血」是我們的生命於他方的存在。“Blood” is our life elsewhere 
 
時間之血──NEXEN,Blood of Time”———NEXEN
互為鏡像的兩個未來。Two Futures are reflected
在平行宇宙中,in these parallel universes
生命彼此成為倒影,These lives mirror each other
都是我們活著的自己。but they are all part of us
 
。被埋藏的初心  我找到我自己

 

當原版人類穿越多重宇宙歸來,
卻發現家鄉已經成無人之境,陌生之地。
他們代表著未來,擁有著過去,開始挖掘--現在。

原版人類由考古人類學家「道」帶領四個自己家人,落地於台北盆地。幾近廢墟的台北城裡聳立著四座以101大樓為根基,似乎是欲往空中發展的未竟野心。可是不知為何工程終止,其下的台北城也幾近廢墟了。他們開始向深處挖掘:第一個文化層挖出了謝春徳工作室,那裡出土了他被埋藏的初心,「蘭嶼肖像1973」。接著又挖了四個文化層,在最後第五個文化層裡,竟然挖到自己……  
 
台灣當代藝術家謝春德繼 2016 年「平行宇宙系列—勇敢世界」以及 2018 年「平行 宇宙系列—天火」之後,帶來「平行宇宙系列最終章—NEXEN 時間之血」。積累藝術家廿年的能量,並邀集台灣優秀青年創作者加入,透過文學、攝影、音樂、影 像、雕塑、裝置、互動等綜合形式闡述其創世寓言。
 
從早年以底片顯影,到數位暗房能力的紀實性攝影,發展至以舞台思維策展的編導式攝影,並在拍攝及運用影像的方式上,有了相當的演進,謝春德的鏡頭由對於環境社會的關懷,漸漸聚焦至自觀式的精神探究。
 
積累多年的能量,謝春德此次透過「NEXEN 時間之血」進行一次冒險邀約,期許觀者進入一場神秘世界的探索。在劇場形式的展場裡探見:平面影像、動態影像、塑像、裝置、仿真、空間形塑、流動文字……等當代視覺和語境匯集的場域。並在來自宇宙深處,原始呼喚的幻境中,透過類舞台空間的故事性敘述,一幕一幕的延展顯現,使觀眾在參與中更能貼近超越死亡的親歷及想像,最後在靈魂裡找到我們共同的家。

When the original humans return from the multiverse,
they discover that their hometown has somehow become an uninhabited, unfamiliar place.
Representing the future and possessing the past, they begin excavating——the present.

Led by the archaeological anthropologist “Tao” and his four family members, the original humans land in the Taipei Basin. Symbolizing the unfinished ambition of reaching to the sky, four towers with Taipei 101 as their foundation stand erect in the nearly ruined city of Taipei. For some reason, however, their construction is terminated, and the Taipei City underneath is now almost in ruins. They begin to dig deep into the ground: the first cultural layer unearthed is the studio of Hsieh Chun-Te, where the symbol of his beginner’s mind – Portrait of Lanyu in 1973 – lies hidden in the earth. Subsequently, four more cultural layers are revealed, and in the fifth cultural layer, the artist himself is found. 
 


藝術家介紹

謝春德

1949 年出生於台中農家。17歲北上投入攝影創作,以其前衛、超現實的風格在1970年代參與當時「V-10視覺藝術群」,是推動台灣攝影從主流沙龍走向現代主義與觀念藝術的先驅。超過50年的創作生涯橫跨現代攝影丶編導式攝影丶紀實攝影丶肖像攝影、時尚廣告、MV 導演、紀錄片導演、舞台設計、詩、小說、電影劇本、數位藝術,以及近年發展的美食饗宴。
 
從1969年第一次個展「午夜」開始,歷經「古典的聯想」(1974)、「吾土吾民」(1979)、「窗與鏡子」(1981)、「時代的臉」(1986)、「家園」(1988),謝春德以「家」為創作的核心,用影像與文字記錄台灣這塊土地的景觀與人文。
 
2002的「無境漂流」,到2011年的「Raw三重系列」,謝春德開始擴張「家」的意義,反思人的生命歸屬,並於近年來發展出「平行宇宙系列」(2016迄今),從有形的「家」擴展至靈魂的「家」,探索生命的無所不「在」。
 
2011年於第54屆威尼斯雙年展舉辦個展「春德的盛宴」(Le Festin de Chun-Te),其跨越攝影、設計、裝置、影像、舞台及美食、數位技術發展等領域的藝術內涵赢得了來自歐洲的關注,更被法國國家科學研究中心研究員 Monique Sicard所主掌的研究群列為「視覺藝術/攝影觀看生成」的少數五個研究對象之一,從 2013 年到 2015 年,該團隊數度前來台灣,為ARTE電視台拍攝謝春德的紀錄片。

HSIEH Chun-Te

Born in an agricultural family in Taichung in 1949, Hsieh moved to Taipei to pursue a creative career in photography at the age of seventeen. With an avant-garde, surreal style, he joined the Visual Group 10 in the 1970s and became a pioneer in launching Taiwanese photography from the mainstream salon photography at the time into modernism and conceptual art. During his creative career of over fifty years, Hsieh’s art practice spans modern photography, fabricated photography, documentary photography, portrait photography, fashion advertisement, MV directing, documentary filmmaking, stage design, poetry, novel, screenplay, digital art and dining feast, the last of which he has developed in recent years.
 
Since his first solo exhibition Midnight in 1969, Hsieh presented a series of exhibitions based on the core concept of “home,” including Association Classic (1974), Land and People of My Own (1979), Window & Mirror (1981), Faces of Our Time (1986) and Country (1988), recording the landscape and culture of Taiwan with images and words.
 
From None-zone Moving in 2002 to Raw in 2011, Hsieh began elaborating on the meaning of “home” and reflected on one’s root in life. In recent years, he has been developing the Parallel Universe series (starting in 2016), expanding the notion of a visible “home” to the “home” of the soul, exploring the ubiquitous “presence” of life.
 
In 2011, Hsieh presented his solo exhibition Le Festin de Chun-Te at the 54th Venice Biennale. His interdisciplinary art practice that amalgamates photography, design, installation, photography, stage, food and digital technology has won him much attention in Europe. Hsieh has been listed as one of the five research subjects for the study group of the Genesis of Visual Arts/Photographic chaired by Monique Sicard, a researcher at the National Centre for Scientific Research in France. From 2013 to 2015, her team visited Taiwan several times to film a documentary featuring the artist for ARTE, the European TV channel.
 


主創團隊

總策展人:陳郁秀
Chief Curator:CHEN Yu-Chiou
計劃主持/藝術總監:謝春德
Project Director/Artistic Director:HSIEH Chun-Te
詩展策展人:陳芳明
Curator of Poetry Exhibition:CHEN Fang-Ming
音樂總監:李奕青
Music Director: LEE Yi-Chin
雕像藝術指導:陳少維
Statuary Art Director: CHEN Shao-Wei
主視覺設計:劉安儒
Key Visual Design: LIU An-Ru
模型製作:禾果美術模型
Model production: Hogo Art Model
影像後製:江寶德、胡學琳
Film Post-production: CHIANG Pao-Te / HU Hsueh-Lin
服裝製作:鄭經中
Costume Production: ZHENG Jing-Zhong
模特兒:黃彥翔
Model: HUANG Yen-Hsiang
科技顧問:黃文浩
Technology Consultant: HUANG Wen-Hao
行政總監:詹雅雯
Administration Director: CHAN Ya-Wen
製作總監:林曙清
Production Director:LIN Shu-Ching
現場執行:張博洋
Executive Supervisor:Chang Po-Yang
攝影助理:古皓丞
Photography Assistant: KU Hao-Cheng
製作助理:古皓宇
Production Assistant: KU Hao-Yu
影片 Film:“女武神” “Valkyrie”
影像製作:陳宏一 / 攝影原作:謝春德
Film production: CHEN Hung-I / Original photography: Hsieh Chun-Te
音樂 Music:“女武神” “Valkyrie”
詩作:謝春德 / 作曲:陳主惠 / 朗讀:胡德夫 / 吟唱:桑布伊
Poetry: Hsieh Chun-Te / Composition: IO CHEN / Reading: HU De-Fu /Vocalist: Sangpuy

展覽資訊
展出時間:2022/04/16-2022/06/19
展出地點:高雄市立美術館 104、105展覽室
指導單位:文化部
主辦單位:高雄市立美術館、太界文化
總策展人:陳郁秀

資料來源

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